More than 70 years after he shot the first few frames, Orson Welles’s ambitious project to put Don Quixote on the big screen may finally be completed thanks to a consortium of European film archivists.
Oja Kodar, the American film-maker’s partner and collaborator, has given her blessing to the project led by archives in France, Spain and Italy, along with the Munich film museum, to produce a coherent film out of 30 hours of footage scattered among them.
