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Gregory Frame, Teaching Associate in Film and Television Studies, University of Nottingham

Don't Look Now: moving, tender, haunting – and one of the best horror films of the last 50 years

Grief-stricken by the death of their daughter in a drowning accident, John Baxter (Donald Sutherland) and his wife Laura (Julie Christie) relocate temporarily to a wintry Venice, where he has been commissioned to restore the crumbling church of San Nicolò dei Mendicoli.

In a restaurant one day, melancholy Laura meets two sisters (Hilary Mason and Clelia Matania). One of them is a blind clairvoyant and claims to be able to see and communicate with her dead daughter, Christine. John is outwardly dismissive, even though he keeps catching sight of a child wearing a red coat similar to his daughter’s disappearing around corners and down alleyways across the misty, shadowy city.

At the same time, Venice has a killer on the loose. When their son has an accident at his English boarding school and Laura travels home to be with him, John is left behind to succumb to his delusions.

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