In the recent Fahadh Faasil-starrer Malayankunju, set against the calamitous landslides across Kerala in 2019, the full force of the natural disaster is felt like a violent jolt. We hear nothing for a few seconds before and after Faasil’s house comes crashing down. Sound, both the presence and absence of it, plays one of the leading roles in the Malayalam survival thriller directed by debutant Sajimon Prabhakar.
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Does Fahadh Faasil’s ‘Malayankunju’ mark a new chapter in Indian cinema with its brilliant sound design?
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