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Fashion Times
Fashion Times
Lifestyle
Eliza Grant

Diane von Furstenberg Opens New York Fashion Week — And Hands the Wheel to Henry Zankov

New York Fashion Week kicked off this morning the way it always does: with a single runway show setting the tone for six days and roughly 70 collections to come. But the September 10 opening slot carried more weight than usual. It belonged to Diane von Furstenberg — and to Henry Zankov, the brand's first-ever artistic director, presenting his debut collection for a house that has never before handed its creative reins to an outsider.

A First in 54 Years

DVF was founded on a single idea: the wrap dress, introduced in the 1970s and instantly tied to a very specific vision of American womanhood — confident, independent, unbothered. For over five decades, that vision stayed close to Diane von Furstenberg herself. Today marked the first time creative control has formally passed to someone else.

Von Furstenberg, now 79 and based primarily in Venice, signed off on the choice but kept her public comments brief, crediting CEO Graziano de Boni's judgment: "I applaud Graziano's vision." The instinct to hand a legacy house's identity to a new designer is a familiar one across fashion right now, but it rarely goes cleanly the first time out.

Diane von Fürstenberg and Anna Wintour attend the Diane von Furstenberg fashion show during New York Fashion Week on September 10, 2026 in New York City. (Photo by Getty Images) (Credit: Michael Loccisano)

Who Is Henry Zankov?

Zankov isn't a stranger to the DVF orbit. He trained at the Fashion Institute of Technology, worked as an assistant menswear designer at Donna Karan, and collaborated with both Jason Wu and DKNY before launching his own label in 2020. That label — colorful, texture-forward knitwear that leans hard into pattern-clash and warmth rather than quiet-luxury restraint — earned him a CFDA Award for American Emerging Designer of the Year and a reputation as one of New York's more distinctive young voices.

His connection to DVF deepened last fall, when he designed a capsule collaboration with the brand that debuted at Bergdorf Goodman. It reportedly outperformed expectations, generating enough buzz that de Boni pushed to bring Zankov in permanently. Today's show was the payoff of that bet — his first full runway collection as the house's artistic director, following a run of presentations he described as "a bit of a hybrid" leading naturally toward a proper runway format.

The Real Story of the Week

Fashion press has framed today's show as more than an opening act — it's the question NYFW 2026 is built around: can a designer known for maximalism and an "irreverent" sensibility take custody of a brand defined by one narrow, iconic silhouette, without either sanding down his own point of view or losing what made the house recognizable in the first place?

Zankov's own framing suggests continuity over reinvention. "The DVF woman is a rebel — confident, curious and independent," he said ahead of the show — language that echoes the brand's own mythology rather than breaking from it.

The Bigger Picture

DVF's opening slot also makes it the first show under the CFDA's new fur-free policy, which took effect this season and bans animal fur from any brand on the official schedule (with a narrow exemption for Indigenous subsistence hunting). Going first, DVF effectively set the tone for the rule's debut across the rest of the week.

New York Fashion Week runs through September 15, when Thom Browne closes out the season. In between: roughly 70 shows and presentations, including runway debuts from Conner Ives, Magda Butrym, and Sabyasachi, alongside established anchors like Michael Kors, Tory Burch, and Calvin Klein Collection.

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