A thriving industry of books, TV shows and films has kept Diana, Princess of Wales’s image alive since her death in 1997. Most focus on her flawed inner world, and claim to uncover her “true” self. Edward White’s lively, deeply researched Dianaworld gives us something very different.
White, whose previous work includes an acclaimed biography of Alfred Hitchcock, approaches Diana’s story through the people who saw themselves in her – the doppelgangers, opportunists and superfans who found parallels between the princess’s life of extraordinary privilege and their own. His subjects are the frequently ridiculed devotees who fuel celebrity culture: women rushing for the Diana hairdo; impersonators opening supermarkets; psychics jolted awake the night of the fatal crash. It is, White says, “less a biography of Diana, more the story of a cultural obsession”.
