For an artist best-known for a string of slickly commercial adult-oriented rock hits – Josephine, On the Beach, The Road to Hell, the Yuletide perennial Driving Home for Christmas – Chris Rea’s career was a rather more fraught business than you might have expected.
He had something of the splendidly grumpy refusenik about him. His debut single, Fool (If You Think It’s Over) was a transatlantic hit, earning him a best new artist Grammy nomination (he lost to Billy Joel, an artist the single had garnered comparisons to), but Rea announced that he “despised” the song: “It’s just not me.” He chafed at his record company’s expectations: his 1978 debut album, Whatever Happened to Benny Santini? got its title after his label suggested that he might consider adopting a stage name, and he later protested that the producers he worked with made his music too glossy and “smoothed-out”.
