In a 2005 interview with the Sunday Times, the late Tony Scott reflected on the key artistic difference between himself and his older brother Ridley: “[He] makes films for posterity … they’ll be around for a long time. I think my films are more rock’n’roll.”
While the elder Scott’s movies certainly tend to be classical and operatic in their scope and style, the younger brother’s films are marked by a much more experimental edge – a rebellious desire to create beauty out of divine chaos. The pinnacle of this creative ethos may be his 2006 work Déjà Vu, a high-octane sci-fi action hybrid which asks the question: would you risk your life to go back in time and save a person you loved?
