Inflamed by Brexit and first staged (and cancelled) under Covid, I feared that Roy Williams and Clint Dyer’s exploration of the British white and black working-class experience might have dated in this West End transfer. Absolutely not.
Michael and Delroy, the two male monologues in the linked Death of England trilogy (Closing Time, a female two-hander, joins in repertory later) are full of contemporary rage, swagger and furious feeling.
