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The Guardian - UK
The Guardian - UK
Entertainment
Wendy Ide

Daughters review – tender, wrenching film about a dance date for girls and their jailed dads

Aubrey Smith, five, in a scene from Daughters.
Five-year-old Aubrey longs to show her dad her school certificates in Daughters. Photograph: Netflix/AP

I found myself choking up barely a minute into this heartfelt documentary about a daddy-daughter dance scheme for the girls of incarcerated fathers in Washington DC, such is the emotional wallop of this terrific, Sundance prize-winning film.

Co-directed with a supreme assurance that falls just on the right side of slickness by music video director Natalie Rae and Angela Patton – activist and founder of the Date With Dad weekend – Daughters feels like the fortuitously alchemic combination of two very different but complementary voices. Patton’s formidable communication skills, previously demonstrated in a widely viewed Ted Talk, drive a film that has a kinship with, and a similarly wrenching impact to that of the Folsom prison group therapy documentary, The Work. And Rae’s visual flair brings a child’s-eye lyricism to the film that evokes the heady enchantment of Beasts of the Southern Wild. It’s elegantly edited too, by Troy Lewis and Adelina Bichis (whose work I previously admired on the similarly poetic Nascondino).

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