
The world(s) that come to life in Shu Lea Cheang’s films are always evolving. As our relationship to exponential, transformational changes in technology have developed, so too has Cheang’s cinema. From the punk aesthetics and ‘eco-cyber-noia’ of queer cult classic Fresh Kill (1994) to the digital spaces of her most recent film, UKI (2023), the filmmaker is constantly interrogating our place in a world that seems to be on the verge of being taken over by technological advances.
A retrospective of her works, titled ‘Sci-Fi New Queer Cinema’, was recently staged at London's Project Native Informant gallery and is now set to show at Brooklyn Academy of Music (BAM) in mid-June 2024.