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The Guardian - UK
The Guardian - UK
Entertainment
Sarah Crompton

Crystal Pite and Jonathon Young/Kidd Pivot: Assembly Hall review – making the mundane astonishing

A tableau of dancers all dressed as medieval knights on a stage within a stage
‘At once unreal and entirely recognisable’: Crystal Pite and Jonathon Young’s Assembly Hall. Photograph: Michael Slobodian

The collaboration between choreographer Crystal Pite and writer Jonathon Young began with Betroffenheit, a searing study of grief, and continued with The Statement and Revisor, images of politics and bureaucracy in action. Now they present Assembly Hall – a portrait of an amateur medieval re-enactment society that is both serious and really very funny.

The uniqueness of Pite and Young’s work together doesn’t just lie in the style they have developed, where dancers lip-sync with fluid, split-second timing and large-gestured grace to words spoken by actors. It also springs from the uniqueness of their combined imagination, which here conjures a world in which the petty machinations of the Benevolent and Protective Order, meeting in a rundown community hall, can slip into Arthurian quests and extended slo-mo battles.

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