The new Netflix adaptation of East of Eden largely sticks to the plot of the John Steinbeck novel. There are tweaks – the introduction of a wedding photograph, for example, which becomes a significant item – but otherwise, it is faithful to the book. That is, in terms of the plot. There has already been some discussion about what it has done to Cathy Ames, played with considerable ferocity by Florence Pugh. Cathy, who later changes her name to Kate, kills her parents by burning down the family house. She shoots her husband, Adam, and leaves her baby sons wailing and alone. She slowly poisons the brothel madam Faye, a woman who acts as a mentor to her and treats her as a daughter, while simultaneously tricking her into leaving her everything in her will. In the book, Steinbeck lets Kate reflect on killing Faye. She finds that she has “no feeling” about it at all.
She is a brilliant, brutal character, but on television, she becomes something else: complicated. Her cruelty remains intact, but Pugh and showrunner Zoe Kazan have fleshed her out and given reasons for her fury. They invent a scene that implies Cathy was abused as a child by two men in the woods, and when she takes her final bow, the series returns to this moment in flashback, suggesting that her campaign of destruction has been shaped by a life of trauma and pain. In Steinbeck’s hands, Cathy is cold and unfeeling. In the 2020s, Cathy is more sympathetic and less of a brute.
