
In terms of scope, works of literature exist on a spectrum that goes from small narratives packed into a microcosm that want to explore a single element of human nature all the way to stories that seem obsessed with somehow encapsulating the totality of the human experience and decoding the meaning of life.
Cormac McCarthy's The Passenger and Stella Maris -- the author's first two books in more than a decade — belong to the latter group, both as standalone novels and when taken together as deeply intertwined works of fiction that take place in the same universe and with the same characters.