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The Guardian - UK
The Guardian - UK
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Jonathan Liew

Copyrighted art, mobile phones, Greenland: welcome to our age of shameless theft

A still from Robert Bresson’s 1959 film Pickpocket
A still from Robert Bresson’s 1959 film Pickpocket. Photograph: Album/Alamy

Last week I discovered that an article I wrote about the England cricket team has already been copied and repackaged, verbatim and without permission, by an Indian website. What is the appropriate response here? Decry and sue? Shrug and move on? I ponder the question as I stroll through my local supermarket, where the mackerel fillets are wreathed in metal security chains and the dishwasher tabs have to be requested from the storeroom like an illicit little treat.

On the way home, I screenshot and crop a news article and share it to one of my WhatsApp groups. In another group, a family member has posted an AI-generated video (“forwarded many times”) of Donald Trump getting his head shaved by Xi Jinping while Joe Biden laughs in the background. I watch the mindless slop on my phone as I walk along the main road, instinctively gripping my phone a little tighter as I do so.

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