In Delhi, the walls of the Kiran Nadar Museum of Art (KNMA) adorn S.H. Raza’s paintings which appear to be like massive windows giving a peep into the many phases of Raza’s transnational modernism. The vignettes progress thematically from Raza’s nature-based landscapes to cityscapes — captured both in India and France — and transit through his metaphysical and spiritual leanings from symbolic to geometric abstraction.
