I didn’t want to write this piece. I didn’t want to diminish “the first major studio movie written by and starring a gay man” or spoil its Rotten Tomatoes score or dance on the grave of its box-office prospects.
I certainly didn’t want to attack the star of “Billy on the Street” and “Difficult People,” two of the most successful screen adaptations of the gay sensibility in recent memory. But Billy Eichner forced my hand.
No one wants to support a movie at the point of a bayonet.
