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Los Angeles Times
Los Angeles Times
Entertainment
Tracy Brown

Commentary: Queer TV shows are disappearing fast — just when we need them more than ever

From the very first episode of “The Owl House,” its central message has been clear: Embrace your inner weirdo.

“Us weirdos have to stick together,” protagonist Luz Noceda says in the series premiere, rallying a group of oddball strangers to revolt against their unjust imprisonment. “And nobody should be punished for who they are.”

This declaration became increasingly resonant over the course of “The Owl House’s” three-season run, which concluded Saturday, as the show repeatedly broke new ground for LGBTQ representation in kid-friendly animation. Nurturing a central queer teen romance in a world that embraces a full spectrum of sexual orientations and gender identities, the series has been a vital beacon of queer perseverance and joy at a time when right-wing activists and politicians have become increasingly hostile to the LGBTQ community, often targeting queer and trans youth.

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