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The Guardian - UK
The Guardian - UK
Entertainment
Killian Fox

Cinema’s unquenchable thirst for vampires celebrated in posters

Christopher Lee as Count Dracula, 1958.
‘Unbelievably attractive to his victims’… Christopher Lee as Count Dracula, 1958. Composite: Hammer/Hammer/Kobal/Shutterstock

“I think it’s almost infinitely flexible,” says the cultural historian Christopher Frayling, on why the myth of the vampire has gripped our imaginations for so long. It’s been around in some form or other for millennia, but the modern bloodsucker stems from reports of eastern European peasants rising from the grave in the early 18th century. Since then, according to Frayling, vampires “shape-shifted” to “lounge-lizard aristocrats seducing people” a century later. “Then, with the movies, they eventually shed their cloaks, and from the mid-20th century onwards, addicts, psychopaths, lovelorn outsiders, cult leaders, lesbian and gay icons… you name it, the vampire has become it.”

Poster for Dracula, 1931, showing a dark shape with malelovent red eyes looming over a dark-haired woman sleeping in her bed
Dracula, 1931. ‘Designed by Universal’s in-house illustrator Károly Grósz, this original US poster was also used for the cover of the tie-in reissue of Bram Stoker’s novel,’ says Christopher Frayling. ‘It emphasises the Count’s irresistibly hypnotic eyes. The alternative caption was “good to the last gasp”...’ Photograph: RAP
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