In March 2022, soon after the full-scale Russian invasion of Ukraine began, Kyiv-based illustrator Masha Foya produced what I think is one of the Guardian Weekly’s most powerful covers on the war, concerning the devastation of Mariupol. So it’s a pleasure to feature Masha’s work again for the current edition, this time marking 40 years since the Chornobyl nuclear disaster.
“Since childhood, the story of Chornobyl has always made me feel a strange dissonance – such a tragedy occurring on a beautiful spring day in April,” explains Masha on the thought process behind her design, in which seasonal greens fade away into ominous skies.
