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The Guardian - UK
The Guardian - UK
Entertainment
Arifa Akbar

Chewing Gum Dreams review – Michaela Coel’s horny teenage heroine is still a force to reckon with

Lauryn Ajufo, in school uniform, stands under a spotlight in Chewing Gum Dreams
Intelligent, inventive … Lauryn Ajufo in Chewing Gum Dreams at Theatre503, London. Photograph: Ikin Yum

The self-flagellations of adolescence and its suddenly streaking hormones can make great fodder for comedy. Harry Enfield’s 13-year-old defined its comic pains for one generation. His Kevin is every bit matched by Michaela Coel’s exuberant and offensive Tracey. This revival of Coel’s 2012 debut proves her eternal relevance as a character: Black British and downtrodden, she is upstart, bully, trusty friend and a bewildered girl defined by class and race by her own schoolteacher. She is also horny and desperately infatuated with a white boy, Connor.

Beginning as a monologue performed by Coel herself, it is about friendship, sexual discovery and abuse, with Tracey telling us about everything from the girl in class who can lick her own vagina to her beautiful best friend with a controlling boyfriend 10 years her senior. The show went on to be adapted for the Channel 4 TV series Chewing Gum, which turned Coel’s one-woman polyphony into an ensemble of immensely colourful characters and fabulous comedy, but also lost some of its intensity and darkness.

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