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The Guardian - UK
The Guardian - UK
Entertainment
Emma Garland

Charlotte Church’s Pop Dungeon review – a festive farewell to a glorious covers band

Church on stage at Pop Dungeon at the Clapham Grand, with huge glitterball
Effortless range … Church on stage at Pop Dungeon at the Clapham Grand. Photograph: Christian Sinibaldi/The Guardian

Charlotte Church struts on to the stage, wearing a baseball cap and a silver fringe-trimmed dress, and growls: “I wanna fuck you like an animal.” The crowd howls: “Yaass!” The feral Nine Inch Nails cover has become a staple opener for Church’s Pop Dungeon – an event that, for the past six years, has filled sticky-floored venues and festival tents around the UK.

Described as “a genre-fluid jukebox of anthems”, Pop Dungeon sees the Welsh legend front what is essentially the world’s greatest covers band. “Think a pool party with Prince and Kate Bush at the grill, Beyoncé and Kurt Cobain on the bar,” Church explained recently. “Except it’s also Christmas, and both Santa and Kevin McCallister are here to get down.” She also announced that this latest run of dates would be the event’s last.

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