For once, say its curators, “the chance of a lifetime” may be right: never before have so many works by Johannes Vermeer, the luminous 17th-century Dutch master, been assembled in the same place – and it is highly unlikely they will be again.
Of the fewer than 40 paintings most experts attribute to the artist, the Rijksmuseum in Amsterdam has obtained 28. Opening next week, its first Vermeer retrospective has sold more advance tickets than any show in the museum’s history.
