10 Life of M (2026)
In Cusk’s headline-grabbing latest, a writer invents the biography of a film star who sounds very like Natalie Portman. Set in the now standard late-Cusk sans serif typeface (no frivolous flourishes!), Life of M serves up observations on fame in a light fictional coating. “To always be playing a part is to have no home.” Having made her name as a devilishly good creator of brainy social comedies, Cusk’s pivot to wintry autofiction since the Outline trilogy appears to have reached its logical conclusion in this flat, abstracted portrait of empty celebrity. The New York Times called it “rarefied, cosmopolitan, self-serious”.
Sample line: “Everything I did or said in her company was false. It was as if I was acting, while M came across as authentic and real.”
