When Cat Stevens changed his name to Yusuf Islam and announced his conversion to the Muslim faith and retirement from music in the late 70s, Bob Dylan apparently remarked that he had “finally stopped trying to be the prophet and begun to follow The Prophet”. It’s a quote that Islam reproduces in his autobiography, viewing it as a benediction, but it also tells you something about the music that made him globally famous.
In the early 70s, the charts were awash with sensitive folky singer-songwriters. Their constituency, as Islam perceptively notes, was “the college generation, away from home, lonely and trying to find their place in the university of high academic expectations”. But none were as obsessed with spirituality as Cat Stevens, with his album titles that namechecked Buddha or referenced Zen poems, his conceptual song cycles based on numerology, his lyrical exhortations to “kick out the devil” and “get to heaven, get a guide”, and Morning Has Broken, the hymn he made a 1972 US No 1. If you’d had to place bets on which 70s superstar would pack it all in for religion, you’d have got far lower odds on Cat Stevens than, say, Noddy Holder.
