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Inverse
Inverse
Lyvie Scott

'Captain America: Brave New World' Review: A Promising Political Thriller Is Buried In Marvel's Identity Crisis

No one wants to admit that Steve Rogers is irreplaceable. Fifteen years ago, Chris Evans felt like an odd choice to play yet another superhero, let alone a hero as stalwart and true as Captain America. Against all odds, though, he managed to make the character his own — to the point where now, five years after Steve’s retirement in Avengers: Endgame, Cap fans within and outside of Marvel’s Cinematic Universe are still struggling to accept his departure.

It doesn’t help that Steve’s successor, Sam Wilson (Anthony Mackie), has never truly gotten a fair shake. The hero formerly known as the Falcon was always a strong complement to Cap: a great leader in his own right, with a will and sense of humor all his own. It made total sense when Steve passed the shield on to him — though, if we’re being real, Bucky Barnes (Sebastian Stan) might have been a more logical choice. Sam’s appointment was intriguing, but it felt more like Marvel’s way of making A Statement™ about what it meant to be Black in America, rather than a natural progression for the character. And though The Falcon and the Winter Soldier made attempts to explore that paradox in a meaningful way, clumsy political storylines undermined Sam’s arc at every turn. The burden of being Captain America seemed to strip him of anything that made him interesting — and years later, it’s cast a pall over his first solo outing.

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