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Kate Flaherty, Senior Lecturer (English and Drama), Australian National University

Can you extract a pound of flesh without blood? How the power struggles in Shakespearean drama speak to an age of decolonisation

Hazem Shammas as Macbeth Bell Shakespeare.

Aboriginal and Torres Strait Islanders are advised that this article names and quotes a deceased person.

Last October, New Zealand’s arts council pulled funding for the Shakespeare Globe Festival, a school event of 30 years’ standing. They said it lacked relevance to decolonising Aotearoa. Days later, with the support of then Prime Minister Jacinda Ardern – once a participant – the program was reinstated.

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