‘I had artists from all over the world breathe over petri dishes,” says Liz Larner. “It was a piece of international art made from breath bacteria.” The American sculptor is reminiscing about her 1988 work Every Artist Gave a Breath, a fragile and strangely evolving work of art grown on agar. Exhibited in a 2022 show, it has since transformed in various ways: some bacteria has morphed into “beautiful, dried wafers in colour”, while other dishes “turned into a really weird blackish-green, really murky and a little scary”.
Larner is no stranger to making alluring work out of strange materials, from human hair and false eyelashes to leather and surgical gauze. For her first major exhibition in the UK – A Hard Line to Bend at Camden Art Centre in London – the sculptor has been transforming single-use plastic into pieces that bristle with seductiveness and menace. “I was living in LA at the time when China stopped accepting American plastic, which was where we were sending it all to be recycled,” she says. “I started taking it to my studio – it got so huge, I had to hang it from my ceiling.”
