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The Guardian - UK
The Guardian - UK
Entertainment
Holly O'Mahony

Camdenwalla review – one long night of fear and defiance in 90s London

Nusrath Tapadar (Alima)  holding a clipboard speaks with a man on the phone, Bhasker Patel (Muhammad) , at a cluttered desk in an office
Oscillating emotions … Nusrath Tapadar (Alima) and Bhasker Patel (Muhammad) in Camdenwalla. Photograph: Tristram Kenton/The Guardian

This theatre’s address was once the headquarters of the Camden Monitoring Project, a volunteer-run organisation established to provide safe transport home for South Asian restaurant workers at a time of rampant racist attacks. Built on four years of research with the local Bengali community, actor Jonny Khan’s debut play turns that chapter of history into a fictional two-hander, which unfolds on a single evening in 1994.

Muhammad (Bhasker Patel) is a Bengali Londoner who spends his nights coordinating the understaffed rescue service. He and his mature-beyond-her-years teenage niece Alima (Nusrath Tapadar) have barricaded themselves into his dingy office where the phone won’t stop ringing. The murder of a white teenager has prompted a slew of verbal and physical attacks. Frightened callers plead for assistance on Muhammad’s helpline, knowing the police have turned a blind eye.

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