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The Guardian - UK
The Guardian - UK
Entertainment
Peter Bradshaw

Bulk review – Ben Wheatley’s quirky sci-fi brings small-budget charm to big questions

 Sam Riley in Bulk.
Dreamlike unreality … Sam Riley in Bulk. Photograph: Nick Gillespie

On a modest budget, director Ben Wheatley gives us a retro sci-fi with much tongue-in-cheek paranoia, questioning of reality and proliferation of multiverses, and featuring comic-book dialogue that’s been re-recorded, giving the whole thing a sheen of dreamlike unreality. There’s also a lot of quirky lo-fi special effects work with Airfix models.

Bulk is a movie indebted to a mountain of pop culture references listed in Wheatley’s own handwriting in block capitals over the closing credits. Space: 1999 is one – it is good to see it there, and see it reflected in the preceding film – and with the monochrome cinematography, Dutch angles and looming closeups there’s a bit of John Frankenheimer and a little of Chris Petit. The film is massively self-indulgent, often funny, rescued from its not infrequent longueurs by its stars, those very likable performers Alexandra Maria Lara and Sam Riley, who are a real-life married couple.

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