10 Nora Webster (2014)
This dispatch from what we might call the extended Colm Tóibín universe is set near the same time and in the same place as his earlier novel Brooklyn (one character appears in both books). It’s the story of a widowed woman who struggles to cope with life after love. If it lacks the drama of some of Tóibín’s other novels, the style is impeccable as ever, with irresistibly clean prose that reports emotional turmoil masked by restraint. There is no ornate showing off. “People used to tease me for it, saying: ‘Could you write a longer sentence?’” Tóibín has said. “But there’s nothing I can do about it.”
