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The Guardian - AU
The Guardian - AU
Lifestyle
Sian Cain

‘Brisbane has come of age’: the queer and migrant artists helping shed the city’s ‘cringe’

Artist Lindy Lee with Brisbane festival artistic director Louise Bezzina, in front of Lee's sculpture The Spheres, a number of stainless steel spheres with perforations designed to allow light to emulate stars, sunrises and sunsets
‘Pretty much everyone who wanted a creative life had to leave’ … artist Lindy Lee with Brisbane festival artistic director Louise Bezzina, in front of The Spheres. Photograph: Atmosphere Photography

It seemed every single person in Brisbane was on the banks of the Maiwar river on Saturday afternoon, settling in with beach chairs and eskies to get the best vantage point. It was Riverfire: a much-loved explosive display involving fireworks, fighter jets and helicopter acrobatics that several locals separately described to me as “the most Brisbane thing ever”.

But back down on the water, a smaller, quieter and newer spectacle was also pootling along the Maiwar: the Brisbane Art Boat (Northshore, until 24 September), an interactive artwork returning for a second time as part of the Brisbane festival.

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