It was a typical Friday night at the Beco do Rato, a samba club tucked down a dark alleyway in Rio de Janeiro’s nocturnal Lapa district. A group of musicians beat their tantãs, tambourines and agogô bells to an audience of sweaty samba lovers who sang along.
Yet something about this scene was different: the band’s nine musicians were all women, and the crowd was also overwhelmingly female.
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