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MusicRadar
MusicRadar
Entertainment
Henry Yates

Blur's Graham Coxon: "The Coffee + TV chord shapes are just ridiculous"

READING FESTIVAL Photo of BLUR and Graham COXON, Graham Coxon performing live onstage, playing Fender Telecaster guitar (

It's the oldest story in rock ’n’ roll. Band achieves national stardom with singalong hits. Band becomes drunk, jaded and wracked with self-loathing. Band attempts to cull teenybopper fanbase with a willfully ‘difficult’ album. 

Just four years after Blur won the so-called Battle of Britpop, pipping Oasis’s Roll With It to the UK No 1 spot with their own Country House, the London band were virtually unrecognisable on 1999’s 13: a sixth album that replaced pop hooks and parping horns with shrapnel riffs, bleepy noises and a sense of creeping dread. With frontman Damon Albarn nursing his breakup from Elastica’s Justine Frischmann on the lyric sheet and producer-of-the-moment William Orbit adding an icy sheen from the mixing desk, this was music to clear a house party. You either loved it or you hated it. 

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