Does the truth matter in a film about historical events? This question sits at the heart of any biographical drama, shaping how we judge the balance between storytelling and accuracy.
Early in Richard Linklater’s Blue Moon, I thought of Amadeus. That 1984 film isn’t about Mozart – it’s about jealousy. Similarly, Blue Moon isn’t a documentary about Broadway composer Richard Rogers (Andrew Scott) and lyricist Lorenz Hart (Ethan Hawke). It’s a moving drama about Hawke’s character dealing with professional and romantic failure. Don’t expect it to be historically accurate.
Linklater and screenwriter Robert Kaplow set the movie as an extended scene in a bar called Sardi’s on the opening night of Oklahoma! in 1943. The Broadway hit marked the end of the exclusive partnership of Rodgers and Hart when the former decided to form a new, genre-defining pairing with Oscar Hammerstein II.
