In her groundbreaking book, Canada and the Blackface Atlantic: Performing Slavery, Conflict and Freedom, 1812-1897, Cheryl Thompson, professor of performance at Toronto Metropolitan University, maps the transnational flow of minstrel culture and racial ideologies, revealing how blackface performance — and the racism it reflects — was not strictly an American phenomenon.
In this interview with The Conversation Canada, Thompson shares some of her ideas on performance, politics and race, including this year’s Met Gala.
