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The Guardian - UK
The Guardian - UK
Entertainment
Rachel Aroesti

Black Ops review – can you really make a hilarious comedy about police racism? Yes you can!

Hilarious and nail-biting … Gbemisola Ikumelo (left) and Hammed Animashaun go undercover in Black Ops.
Hilarious and nail-biting … Gbemisola Ikumelo (left) and Hammed Animashaun go undercover in Black Ops. Photograph: Ricky Darko/BBC

Between the institutional racism, the institutional misogyny and the institutional homophobia, the Metropolitan police isn’t exactly steeped in hilarity. Can a new sitcom really mine some primetime BBC One belly laughs from the beleaguered institution?

It’s a big ask, but the answer – pretty miraculously – is yes. Black Ops follows two community support officers: the clever but unambitious Dom (Gbemisola Ikumelo) and the naive, uber-religious Kay (Hammed Animashaun). Their jobs are predictable, low-risk and questionnaire-centric – until they’re convinced to infiltrate a local gang as part of an “off the books” undercover operation. From there, Black Ops merges broad comedy with bent copper crime drama to hilarious and nail-biting effect. I won’t give away any of the myriad plot twists, but suffice to say there are some malevolent forces at play in the force itself. Or as Dom economically puts it: “This is some Line of Duty shit!”

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