In 2016, when Beyoncé released 'Daddy Lessons' as part of her 'Lemonade' album, fans were pleasantly surprised by the country flavor infused into the track. Little did they know that this genre exploration would extend beyond just one song. With the release of 'Texas Hold 'Em' and '16 Carriages' as teasers for her upcoming album 'Renaissance Act II,' Beyoncé has once again defied expectations and delved deeper into the realm of country music.
The mere idea of a superstar like Beyoncé venturing into the country genre seemed unlikely, especially following her dance/club-focused album 'Renaissance' rooted in Black sounds and queer history. Yet, 'Texas Hold 'Em' and '16 Carriages' showcase her versatility and ability to delve into uncharted territories. These two tracks, although vastly different from each other, give fans a taste of what they can expect from the highly-anticipated album set to release on March 29.
'Texas Hold 'Em' offers a playful and infectious country stomp, complete with banjo openings and catchy lyrics. It's easy to envision a line-dance taking shape as Beyoncé sings, 'It's a real-life boogie and a real-life hoedown.' Despite the fashion aspect highlighted in the song's closing lines, it is evident that Beyoncé aims to go beyond mere genre tourism. Her self-harmonizing over Rhiannon Giddens' viola showcases a serious commitment to authenticity.
On the other hand, '16 Carriages' takes listeners on a different sonic journey. With its Joni Mitchell-esque vibe, the song beautifully intertwines delicate steel melodies to create a heartfelt and introspective atmosphere. Beyoncé reflects on her upbringing, expressing the challenges of leaving home at an early age and the impact it had on her family. It's a poignant exploration of growth and resilience, with elements that make for a compelling country ballad.
Particularly noteworthy is Beyoncé's conscious decision to collaborate with Black roots musicians like Rhiannon Giddens and Robert Randolph. By highlighting the history of the banjo as a Black instrument and embracing other Black country music influences, Beyoncé challenges the notion that 'country' music is solely white. It's a powerful statement that aligns with her ongoing efforts to promote inclusivity and celebrate the contributions of Black artists to various genres.
As we await the release of 'Renaissance Act II,' it's difficult to predict the full scope of the album based solely on these two tracks. However, what is certain is Beyoncé's exploration of Lone Star acousticism and the potential for a groundbreaking fusion of country and Black music. The roster of producers and co-writers assembled for the project reflects an eclectic mix, suggesting that Beyoncé is determined to carve her own path rather than adhering to traditional country music formulas.
While some may view Beyoncé's foray into country as a mere trend or a gimmick, it is important to recognize the legitimacy of her artistic pursuit. As a Houston native, she possesses the same natural right as any other artist to explore and reinterpret country or country-adjacent sounds. This venture into uncharted territory aligns with a growing movement of post-modern sounds in country and Western music, exemplified by Lana Del Rey's upcoming country album as well.
As we anticipate the release of 'Renaissance Act II,' it is safe to say that Beyoncé has once again proven her ability to surprise and captivate audiences. With her unparalleled talent, authenticity, and fearlessness, she could be poised to shake up the country music landscape in a significant way. So, let's embrace this exciting musical journey and prepare ourselves for an album that promises to be thrilling, thought-provoking, and truly revolutionary.
