Paul Thomas Anderson’s new film is a love story set in 1973, and far too interesting and complicated to be called “coming-of-age”. A grinningly fast-talking 15-year-old boy meets a bored 25-year-old woman who works as assistant to a photographer taking pictures for the high-school yearbook. She is in equal parts amused, intrigued and depressed when this kid starts hitting on her and she realises that she is somehow interested in him.
Anderson makes glorious movie stars of his two newcomers. Cooper Hoffman, son of the late Philip Seymour Hoffman, is eerily assured as Gary Valentine, a heavy-set kid with iffy skin whose child-actor career in TV and movies is coming to an end, and is therefore turning his various side-hustles into the main event, running his own cockamamie company selling waterbeds. Alana Haim, of the pop band Haim, is superb as the permanently exasperated Alana Kane, a young woman with Barbra Streisand’s beauty and charisma; appropriate, perhaps, as Streisand’s notoriously quick-tempered onetime boyfriend Jon Peters is played by Bradley Cooper in a walk-on role, as one of Gary’s dissatisfied waterbed customers.
