For the past year or so, I have been repeatedly listening to a critically acclaimed album, Ignorance, released in 2021 by the Canadian band the Weather Station. Its music is graceful, poised and smooth, but it is also an almost conceptual set of songs about the urgency of the climate crisis and the disorientation of living in a culture that still refuses to acknowledge it. According to its chief creator, the singer-songwriter and former actor Tamara Lindeman, many of its songs evoke what happens when “this veneer of ‘everything will be OK’ disappears”. That moment of revelation is perfectly captured in one song I have played over and over again – which is simply called Loss, and finds Lindeman recalling a conversation: “What was it last night she said? At some point you’d have to live as if the truth was true.”
Amid unprecedented temperatures, fires and the grim pantomime that will eventually end with the selection of our next prime minister, I suspect more people than ever would now understand those words as a matter of direct emotional experience. For millions of us, this summer’s heat is synonymous with an anxiety that is now impossible to shake off, and a renewed awareness of the small transgressions and outright hypocrisies that are required to get through each day. We perform them because of something that Lindeman’s lyrics consummately describe: that very human talent for just about averting our eyes from what is directly in front of us, so as to live a quiet life; and a political culture that just about keeps the “everything will be OK” veneer in place.
