It is Viktor Orbán’s worst nightmare: “One morning Anders, a white man, woke up to find he had turned a deep and undeniable brown.” It is the opening line to Mohsin Hamid’s new novel The Last White Man, a line that deliberately echoes the opening to Franz Kafka’s Metamorphosis.
Ever since he first bedazzled with his 2000 novel Moth Smoke, Hamid has shown himself willing and capable of tackling big, divisive subjects: the war on terror, immigration, identity, corruption, poverty. With his latest novel, he attempts to engage with another biggie: “whiteness”.
