Béla Tarr, the Hungarian film-maker renowned for lengthy, challenging and beautifully shot films including Sátántangó, Werckmeister Harmonies and The Man from London, has died aged 70. The Hungarian Film Artists Association said in a statement that Tarr died on Tuesday “after a long and serious illness” and that “the grieving family asks for the understanding of the press and the public, and that they not be contacted for a statement during these difficult days”.
As his films were shown more widely, Tarr became renowned internationally in the 90s and 00s – partly because of their inordinate length (including the seven-and-a-half-hour Sátántangó), and partly because of what appeared to be their definitive expression of middle-European black and white miserablism. But in an interview with the Guardian’s Peter Bradshaw in 2024, well after Tarr had retired from active film directing in 2011, he said his films had been misunderstood: “My opinion is that we were doing comedies. You can laugh a lot.” He added that they were not pessimistic. “I only ask this – how did you feel when you came out of the movie theatre after watching my film? Did you feel stronger or weaker? That’s the main question. I want you to be stronger.”
