Considered one of the great composers of the 20th century, the deeply expressive Béla Bartók synthesised elements of folk music of Hungarian and related cultures into classical forms, producing a style that was both individual and influential.
Through Bartók’s music, powerful elements of local folk melodies are performed and heard in concert halls worldwide. For the 80th anniversary of the composer’s death coming up in 2025, the University of Plymouth’s Musica Viva – of which I am founder and director – is planning a series of concerts celebrating the notion of the “music of home” as brought to life by Bartók, by including one of his pivotal works in every concert. His Piano Sonata, String Quartet No. 3, String Quartet No. 5 and Music for Strings, Percussion and Celesta will all be performed by leading artists.
From the start, the young Bartók, born in 1881, displayed a fascination with music, and his widowed mother encouraged his musical gifts. When the family moved to Pozsony, a former region of Hungary that now lies mostly within Slovakia, he began a formal musical education and attended concerts for the first time.
