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The Guardian - UK
The Guardian - UK
Entertainment
Stevie Chick

‘Being in Madness kept some of them out of jail’: how the baggy-trousered nutty boys made a guerrilla cinema classic

Madness band members play instruments and sing together in a wallpapered living room
‘Like kids at school showing off’ … Madness filming the music video for Our House in 1982. Photograph: Clare Muller/Redferns

It’s March 1981 and Madness are revisiting the haunts of their recent youth with a film crew in tow. In the 18 months since releasing their debut single, The Prince, the group have become the UK’s most beloved hit-makers, their ascent abetted by inventive music videos that have left viewers of Top of the Pops and Tiswas believing a man could fly – while blowing a sax.

But this new project is something else. Instead of squandering their newfound wealth on fast cars and country piles, the seven-piece have invested in a semi-fictional big-screen telling of their origin story that tempers their trademark “nuttiness” with a kitchen-sink realism suiting their working-class roots. While Take It or Leave It sank into obscurity soon after release, a new 4K restoration has primed the film for rediscovery as a time-capsule of grimy 70s London, and perhaps cinema’s most honest depiction of the challenges involved in trying to get a band together.

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