“Poor Things” is a Frankenstein-esque fantasia about a young woman (Emma Stone) reanimated by a demented surgeon (Willem Dafoe), but the behind-the-scenes work that went into crafting the movie’s wildly warped world may be the film’s greatest act of mad science.
Though Yorgos Lanthimos’ earlier films — at least leading up to “The Favourite" — were more spare productions, “Poor Things” fuses all the tools of classic Hollywood filmmaking — grand sets, miniatures, sumptuous costumes — with subtler touches of modern technology. The movie is, itself, a Frankenstein.
