Christopher Nolan has never been afraid to dream a little bigger. It’s almost a calling. With every film, he’s pushed himself and the medium further — playing with form, storytelling, visuals and audience expectations to create lasting cinematic spectacles. A student of Hollywood history, the Oscar-winner is always looking to fill gaps in cinematic culture and show audiences something they haven’t seen before: “The Odyssey,” he realized, was a massive one.
All Nolan films are epics in their own ways. But for “The Odyssey,” he knew he had to do something fitting of the Homeric poem and its foundational place in Western culture, something worthy of the biggest screens and the resources it would require. The goal was to make something accessible and realistic, which meant going to far flung locations, using real ships on real seas, and taking audiences into the cave with the Cyclops, inside the Trojan Horse and to the bleak expanse of Hades. Opening in theaters worldwide on July 17, it’s also the first feature to be shot entirely on IMAX film.
