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The Conversation
Penny Bailey, Lecturer in Japanese Studies, The University of Queensland

Beauty in ordinary things: why this Japanese folk craft movement still matters 100 years on

A thrown tea bowl made by Hamada Shōji. Wikimedia, CC BY-SA

On January 10 1926, Yanagi Sōetsu and the potters Hamada Shōji and Kawai Kanjirō sat talking excitedly late into the night at a temple on Mt Kōya, in Japan’s Wakayama Prefecture.

They were debating how best to honour the beauty of simple, everyday Japanese crafts. Out of that conversation came a new word, mingei, and a plan to found The Japan Folk Crafts Museum in Tokyo. Later, Yanagi would describe what emerged that night as “a new standard of beauty”.

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