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Louder
Louder
Entertainment
Jo Kendall

“Band dynamics are always good when times are hard. When you achieve things the landscape shifts. There was an issue we couldn’t get past”: Richard Barbieri on why art rockers Japan split, and why their reunion imploded

Japan in 1979.

“We didn’t really fit with anyone until New Romantic came along,” says Richard Barbieri of Japan, the synth-powered art-rock pioneers who shone briefly but brightly from 1974 to 1982. The future Porcupine Tree keyboardist secured musical immortality – alongside vocalist David Sylvian, bassist Mick Karn, drummer Steve Jansen and guitarist Rob Dean – over a run of five albums, peaking with 1981’s Tin Drum.

“By the time we got to Tin Drum we were very into world music,” Barbieri says. “It was a combination of that with electronics, and a bit of Stockhausen thrown in. That’s when we got into sampling, and we were listening to things like David Byrne and Brian Eno’s My Life In The Bush Of Ghosts.“

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