The most original film of the year? A mind-blowing head trip like you’ve never seen in your life? Or a gibbering catastrophe of nonsense? Well, the answer to Kane Parsons’ Backrooms might be all three. Or none (it’s rather complicated).
But first, a little very modern history for readers who are, say, over 40 (or, in fact, anyone who isn’t a denizen of the nether regions of the internet).