Valérie Donzelli has given us a strange mixture of realism and quaint naivety in this film, based on an autobiographical novel by French photographer turned novelist Franck Courtès. There are some interesting insights into the gig economy but some very cliched and implausible representations of what happens when you become a literary author.
With a kind of unvarying bland placidity, Bastien Bouillon plays someone who (like Courtès) abandoned a very successful career in photography in pursuit of his financially perilous dream of being a serious writer. We get a single shot early on of all his cameras on a shelf: he presumably does not sell any to alleviate his financial difficulties but we never see or hear about these valuable objects ever again.
