The Royal Academy’s latest exhibition, Astonishing Things: The Drawings of Victor Hugo offers a rare glimpse into the dark and moody world of the renowned writer best known for his novels The Hunchback of Notre-Dame and Les Misérables.
The exhibition is set in exceptionally low lighting, a necessary measure to preserve the fragile drawings, which are usually only accessible under archival conditions. This dim ambience enhances the foreboding atmosphere of Hugo’s works, which are often landscapes featuring cathedrals that appear to be in ruin or emerging from mist or dust clouds.
These drawings are reminiscent of Dennis Creffield’s gestural, energetic and dark, cathedral sketches. Hugo’s are similar, but much smaller and with a more post-apocalyptic and surreal twist.
